Articles about writing fiction
When you’re starting a new story, determining POV is a very important choice. Writing from multiple POVs can be frustrating and confusing for readers if it’s not handled well, so you need to have a very good reason for using multiple POVs in your story.
That said, here are a few tips on how to craft a story using multiple POVs:Read More »
Researching can be fun. No, seriously. If you're writing about a new topic for a blog post or an interesting subject for a work of fiction, it's the details that help your writing ring true.
Some experts say you can't do too much research if you want your prose to be believable. There is a point, however, that research becomes a way to procrastinate the actual writing itself.Read More »
Have you ever been so engrossed in a book that if the ending isn't strong and doesn't resolve all the plot threads, you're disappointed in the whole book? I once read a novel with a deeply engaging main character I really connected with. She struggled and overcame and struggled and overcame. And at the very end of the book, the author killed her. WHAT? It's the only time I've ever thrown a book. And I refused to read anything more by that author.
You know how important it is to hook your reader from the very beginning. It's why you start in the middle of the action, plunging your reader right in so they get caught up in the excitement.
Your ending is as important…if not more.Read More »
Authors often discuss how reading improves your writing. However, there’s a big difference between passive and active reading, and if you’re serious about using published novels to improve your writing you must learn how to do the later.
When you read passively, you consuming a novel as entertainment – you’re trawling through without paying attention to detail. This lets you form a broad judgement (“this is great!”).
By contrast, active reading involves specific focus on an author’s craft. It is to passive reading what fly-fishing is to trawling. Active reading encourages your judgement to be precise (“this is great because the chapter endings created lots of suspense!”).Read More »
Theme is not your character arc, nor is it the plot or what happens to your character. It's actually the essence that ties those two together. If someone asks you "what is your book about?" you don't respond with scene-by-scene detail, or the changes your character goes through.
You think of your character and what essential thing she or he comes to understand through the course of the book.
If you can't do that, you don't have a firm grasp on your story's theme.Read More »
Kurt Vonnegut, author of such classics as Slaughterhouse Five and Breakfast of Champions, stands today as one of the 20th century’s most important American writers. I can’t think of anyone better placed to give literary advice, and, thankfully, he agreed with me.
These eight tips were originally written by Vonnegut to apply exclusively to writers of short stories, but I reckon they’re just as useful for writers of longer fiction.Read More »
The founders of Writers Helping Writers have created an innovative platform for writers to boost their creativity and enhance their skill set: One Stop For Writers. The creators call it the "library," and it's complete with an "Information Desk," "Thesaurus," "The Stacks," and more.
Whether this is your first rodeo and you need some entry level writing help, or you're an old hand and just want a fun way to plan your novel, One Stop For Writers has scads of resources, templates, online tools, and lessons to help you write the best novel yet.
We're going to cover just the highlights because it can take you days of roaming around the "library" to see and experience everything.Read More »
I'm the guy you read about that works from any of the hundreds of sidewalk cafes in Buenos Aires, travels to Uruguay to wander the avenidas, fishes for Piranha in the Amazon, camps in Patagonia, watches the monkeys play in the rainforest and spends the night in Butch Cassidy and the Sundance Kid's cabin in Bariloche.
And then I write about it.
I live the life that thousands of people say they want to live. Someone said if you want to be doing something in life, find someone who is doing it, and then do what they do. I want to peel back the veil and show you what I do.Read More »
Want to be a writer? Wondering where some of the bestselling American authors got their educations?
Check it out!Read More »
You may have noticed that we at ProWritingAid have a fondness for technology that makes writers better, stronger, more organized, and highly productive. If you like creating a storyboard for your novels, or if you want an innovative app to capture all of your to-do’s for your client work, let us introduce Trello.
For those of us who use sticky notes, index cards, and other forms of reminders to help you organize everything you need for a writing project, Trello is the easiest, most intuitive way to organize your work.Read More »
Pacing is a lot like the throttle on a vehicle. There are times when driving that you need to move slowly, like through a city or in a school zone. Then there are times when you need to move a lot faster, like on the freeway. And there are times when you need to just coast along at a moderate speed.
The pacing in your novel is a writer’s tool to help you manage the speed and rhythm of your story. Sometimes you want fast action, just as other times, you need to slow things down and let the scene unfold.
It’s up to you to know when to use pacing. A lot of your pacing decisions will be based on your genre. If you’re writing an action story, it’s pretty fast-paced with exhilarating moments of danger mixed with adventure juxtaposed with quieter moments when your characters do some heavy thinking. If you’re writing an epic that spans over generations, it might move more slowly.Read More »
Being a writer does not mean sitting and waiting for the inspiration. It's a life of hard work and perseverance, and each writer must find a way to keep their own inner flame burning.
Check out these 7 approaches from 7 authors, each of whom found their own methods that allowed them to keep producing amazing work.Read More »
Many writing experts advise that you consider the current market as you write. If a reader buys one kind of book and likes it, they will look for more of the same. This notion is why you’ll see clone books pop up whenever there’s a breakout novel that runs up the bestseller list. Those writers follow the market.Read More »
We’re obviously mad for technology at ProWritingAid, and there are so many apps, gadgets, and programs out there to help you finish your novel or write content for clients.
Here, in the sixth post of our Writing App Reviews… series, Kathy Eden checks out minimalist writing platform Write!.Read More »
Expectations are high. Chocolates and flowers. Jewelry and trinkets. Will this be the year?
It’s Valentine’s Day.
Or as Bridget Jones says:
“Oh God. Valentine's Day tomorrow. Why? Why? Why is the entire world geared to make people not involved in romance feel stupid when everyone knows romance does not work anyway. Look at the royal family. Look at Mum and Dad.” ― Helen Fielding, Bridget Jones's Diary
Here are a few reasons why you should stay home and write this Valentine’s Day.Read More »
Let’s face it. A lot of writers are introverts who would rather stay holed up in front of a computer writing their next novel than go out there and network. (I humbly include myself in this crowd.) Networking experts, however, say you need to meet as many people as possible to find the right connections. This leaves us at quite a disadvantage when marketing and promoting our books or writing services thanks to the painful nature of getting out in public.Read More »
One of the biggest problems that creative people face is how to take their imagined ideas and communicate them clearly and effectively in writing. I dread to think how many incredible adventures, concepts, and viewpoints are locked up in the brains of people who struggle with the technical elements of writing. The part of the brain that we use for imaginative thinking is quite different from the part that actually crafts the sentences. And the quickest way to lose a reader’s confidence—even if your ideas are water-tight—is to present them with clumsy, awkward, error-filled writing.Read More »
Chefs around the world don’t merely copy the recipes of other great chefs. Instead, they dissect the completed dish, looking for ways to improve it and make it their own. In the same sense, writers shouldn’t copy the masters. We’re not saying don’t learn from the masters, but rather dissect their work and see what makes it great.Read More »
If you’ve taken writing courses at the university level, more often than not, your instructors have fervently cried: Never, ever, ever, ever start a story with a dream sequence. And if you Google “dreams in novels,” you will find a huge range of opinions on the matter. For every post scorning the use of dreams, there is one saying that when done well, dream sequences can move your plot forward.
But are there times when dreams are ok to use? Some authors have used them incredibly effectively in the past. .Read More »
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