Articles about writing fiction
Let’s face it. A lot of writers are introverts who would rather stay holed up in front of a computer writing their next novel than go out there and network. (I humbly include myself in this crowd.) Networking experts, however, say you need to meet as many people as possible to find the right connections. This leaves us at quite a disadvantage when marketing and promoting our books or writing services thanks to the painful nature of getting out in public.Read More »
One of the biggest problems that creative people face is how to take their imagined ideas and communicate them clearly and effectively in writing. I dread to think how many incredible adventures, concepts, and viewpoints are locked up in the brains of people who struggle with the technical elements of writing. The part of the brain that we use for imaginative thinking is quite different from the part that actually crafts the sentences. And the quickest way to lose a reader’s confidence—even if your ideas are water-tight—is to present them with clumsy, awkward, error-filled writing.Read More »
Chefs around the world don’t merely copy the recipes of other great chefs. Instead, they dissect the completed dish, looking for ways to improve it and make it their own. In the same sense, writers shouldn’t copy the masters. We’re not saying don’t learn from the masters, but rather dissect their work and see what makes it great.Read More »
If you’ve taken writing courses at the university level, more often than not, your instructors have fervently cried: Never, ever, ever, ever start a story with a dream sequence. And if you Google “dreams in novels,” you will find a huge range of opinions on the matter. For every post scorning the use of dreams, there is one saying that when done well, dream sequences can move your plot forward.
But are there times when dreams are ok to use? Some authors have used them incredibly effectively in the past. .Read More »
How you format dialogue is a matter of style rather than a rule. There are a few guidelines, however, that make dialogue easier for your reader to follow. And we want our work to be easy to read.
Some novelists like Cormac McCarthy do their own thing with dialogue. For example, McCarthy doesn’t use quotation marks, which is his style of choice. Most of us need to follow our publishing house’s rules, or at least accepted standards. Here are 3 unequivocal standards for starting new paragraphs in dialogue.Read More »
Here are the posts from our blog that most resonated with our readers this year. Did your favorite make the list?Read More »
If you haven’t read The Martian, it’s 369 pages of full-on tension. Mark Watney, the main character, faces one set-back after another as he’s fighting for his life on Mars. The stakes are pretty high; if he doesn’t get off Mars soon, he’ll die.
Weir is a master at creating tension. Just when things are finally going right for Watney, Weir pulls the rug out from under his feet. We watch as Watney perseveres through untenable disasters that would crush the rest of us. Weir keeps readers asking throughout the story, “How’s he going to get out of this one?”Read More »
A word cloud is “an image composed of words used in a particular text or subject, in which the size of each word indicates its frequency or importance.”
So, the more often a specific words appears in your text, the bigger and bolder it appears in your word cloud.
ProWritingAid has a Word Cloud Gallery that makes it easy to create word clouds based on the text you paste into the tool.Read More »
It’s time to burst your bubble. Sorry! The typical paperback novel is between 80,000 and 100,000 words long. Yes, you completed 50,000 words, and that’s an amazing achievement in 30 days. But 50,000 words does not a novel make.
The beauty of NaNoWriMo is that it releases you from worrying about what you’re writing, trying to make it perfect, and instead you just focus on getting words down on the page. And that is a serious accomplishment: 50,000 words in 30 days. NaNoWriMo hopefully taught you that when you’re not seeking perfection, you can get an amazing amount of words out instead of staring at a blank page.
So, sorry to be the bearer of bad news, but you’ve likely got more work ahead on that novel of yours. Here's what you need to know...Read More »
We have just released the new (and much improved) ProWritingAid editing tool and we wanted to tell you a bit more about one new feature that we are particularly excited about.
What is it? A Summary Report is an all-in-one look at the statistics in your writing. Not just the basics like word count, sentences, and paragraphs, but it also points out the key actions you need to take to strengthen your writing.Read More »
Foreshadowing allows you to plant clues, hint at what’s to come, build the tension, or even place a red herring in your reader’s path.
You can use foreshadowing in a variety of ways. The resulting action can be immediate or delayed. You can use dialogue or narrative to set the scene, and you can foreshadow a symbolic event or an ethical dilemma. You can use direct or indirect foreshadowing, and it can even be true or false.
Foreshadowing can feed the tension of a scene. Who doesn’t know the famous shower scene in the movie Psycho? Right before the character Marion Crane pulls up to the Bates Motel, her windshield wipers are slashing through the rain, foreshadowing what awaits her in the shower scene.Read More »
A flashback is a scene you use in your current narrative to show something that happened in the past. The two key differentiators are: 1) it must be a scene (as opposed to narration about an event), and 2) it’s past news.
Flashbacks are great for building three-dimensional characters because readers gains insight on how a character’s thoughts, feelings, and morals were formed by important events. They’re also useful for dropping hints about what happened to lead your main character to the current point in time. They help your readers understand and care deeply about your characters and what happens to them.Read More »
The newest version of ProWritingAid comes with some shiny new features to check out including a Word Explorer, summary reports, easier navigation, contextual thesaurus, detailed explanations and more. Take it for a spin now.Read More »
As someone who lives and runs a business in the UK and has travelled extensively in the US, I can tell you from first-hand experience that there’s a world of difference between the way Americans and Britons do things.
And I’m not just talking about the fact that we drive on the ‘wrong’ side of the road (though, you know, obviously remember that if you decide to visit).
There’s the whole ‘s’ versus ‘z’ argument, the fact that we prefer spelling colour with a ‘u’ and grey with an ‘e’. And of course, let’s not forget about our penchant for the imperial system.
Grammar and measurements aside though, when it comes to marketing across the pond the differences are both vast and nuanced. We’re all speaking English, but that doesn’t mean it’s the same language.Read More »
Pacing your story is like using the throttle to give an engine more gas. With more throttle, the engine revs up and speed increases. Less throttle slows you down so you can see the passing scenery.
Controlling the pacing of your story is like maneuvering through city streets, main thoroughfares, and high-speed highways. You need different speeds to maintain control of your vehicle in each situation.Read More »
The term “literary device” refers to some common techniques that writers use to add meaning to their writing and get their message across more poignantly. When mastered, literary devices can help your reader interpret your scenes and understand your ideas with greater depth.
There are hundreds of literary devices to choose from, but let’s talk about some of the ones that will add layers to your writing.Read More »
We love technology at ProWritingAid and how it helps writers improve. Over the past few months, we’ve been checking out some of the best writing technology out there. We've already reviewed Scrivener, The Novel Factory, Ulysses, and ILYS, this month we look at a new app called Rough Draft.Read More »
Very occasionally some exceptional writers can get away with shifting Point of View (POV) between two characters within the same sentence. Most of us, however, should avoid this kind of head-hopping.
Where Faulkner and Joyce are masters at POV shifting (and they make it seem so effortless), here are a few rules the rest of us should follow when shifting between characters.Read More »
Inner dialogue is an excellent way to give your readers a peek inside the heart and mind of your characters. Readers can’t get this depth of character strictly from the actions you include in your story. You should give them inner thoughts to create 3-D characters with which your readers will fall in love.
The bad news is that there is no hard and fast rule about formatting inner dialogue. Depending on which author, editor, or publisher you talk to, there are as many ways to handle inner dialogue as there are people writing it.Read More »
Search in Blog
- List of Cliches
- 10 Free Writing Apps and Tools
- 10 Websites to Help Improve Your Grammar
- How to use... The Sticky Sentence Report
- How to use... Readability Scores
- Writing App Reviews: A Comparison of the Best
- Grammar Rules You Should Ignore
- Why Every Heroine Does Not Need a Love Interest
- The 10 Writing Quotes that Shape My Writing Process
- How Stieg Larsson Kept his Readers Turning Pages
- How to Break the Rules of Fiction
- How Non-Chronological Writing Can Create Character Empathy
- 4 Writing Issues You are Probably Missing When You Self-Edit
- Becoming a Freelance Writer Can Be Easier Than You Think
- Fixing First Draft Problems: 6 questions to ask
- Getting Started with ProWritingAid’s Google Docs Add-on.
- The Myth of One and Done: Why you need to edit multiple times
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