When Proxima Midnight stabbed Vision, it wasn't a random development. It was good writing. Authors often sideline omnipotent characters to give the rest of their cast a chance. In this article, we examine what omnipotent characters are and how to use them.
Want to create a fictional universe like Marvel's? You've come to the right place.
Gods are fun characters to create. Here's how to write them effectively.
The master of Gothic horror stories, Edgar Allan Poe could set the tone of anything with a few chosen words. Here's how he did it.
An allegory is a story that evokes two separate meanings. The first meaning is the story's surface, like characters and plot, the stuff that goes into every story. But at a much deeper level, an allegory has a symbolic, heavy meaning. What allegories come to mind? Maybe _The Lord of the Flies_; _The Lion, the Witch, and the Wardrobe_; _Moby Dick_; or _Pilgrim's Progress_?
Creating a series can boost your author career and simplify your novel writing. You’ll create benefits as a writer and increase your marketing power. Author Zara Altair offers tips on writing a series.
Many readers struggle to figure out how much backstory is too much. DailyWritingTips explores this topic on their blog.
Bestselling author Louise Dean shares how to get the idea for your novel.
Authors can use Google Keep for everything from story research and characters to marketing. Find your notes fast with this easy-to-use application.
If you've ever seen "Up" or "Toy Story," you know that the team of writers over at Pixar can spin a great story. With that in mind, we examine former Pixar employee Emma Coats' storytelling tips.
Here at ProWritingAid, we're geekily interested in writing tech, almost obsessively. And in honor of the upcoming NaNoWriMo, we thought we'd do a roundup of the apps we've reviewed over the years. Links to our full reviews are throughout.
Are you trying to fit into a genre or sub-genre because it's popular right now? That's like trying to fit into a political party when your philosophy is somewhere in the middle. It's hard to find the right fit in either party, right? Maybe it's time you created your own sub-genre or genre. Look at what *Bridget Jones's Diary* did for chick lit. And what *The Hunger Games* did for YA dystopian. And I'm still not sure how to categorize Jodi Picoult's novels. If you look up the genres of her books, you'll find "Genre: Fiction + Literature; Sub-Genre: Literary or Contemporary." Huh? Nonetheless, she's created her own space on the best seller list.
Are you ready to create a strong, thorough outline for your novel? Brilliant! From September to November this year, ProWritingAid will be paying for its community to have **FREE access for 30 days** to Beemgee's world-class novel-outlining software. Whether you are preparing for NaNoWriMo or just ready to finally write that book, this 30-day challenge is crucial for getting you to the finish line.
Are we hard-wired to seek symbolism in everything from our literature to our everyday life? Spirituality is rife with symbolism, advertisers use symbols to sell their products, and we interpret a smile from someone as a symbol of friendship. Symbolism in literature uses an object or a word to represent something abstract in your work. A person, an action, a place, a single word, or an object can have symbolic meaning. Symbolism, done well, allows you to hint at a certain mood or emotion instead of showing it.
Margaret Atwood recently wrote an essay titled ["Margaret Atwood on What *The Handmaid's Tale* Means in the Age of Trump"](https://www.nytimes.com/2017/03/10/books/review/margaret-atwood-handmaids-tale-age-of-trump.html?_r=0) that caught my eye. There has been a swarm of interest around the book thanks to the upcoming series on Hulu, but I have to admit that I was curious to see if her political views matched mine. What I found most compelling in the article, however, is how she talked about stretching herself outside her genre when she wrote *The Handmaid's Tale*: - ***"It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory and a lack of plausibility. If I was to create an imaginary garden I wanted the toads in it to be real."***