Articles about narrative
Sometimes, narrative and exposition are used synonymously to explain parts of a novel that “narrate” information for the reader. They are, in fact, different devices used to give the reader information. Used appropriately, narrative and exposition affect the pacing of your story.Read More »
Scenes are the rising and falling action, and the soft moments in between, that move your story forward. They have a couple of basic purposes:
- They establish time and place. They give the reader a marker on where and when things are happening.
- They help develop character. Even if the scene is pure action, you learn about the character’s motivations by his or her decisions, choices, and actions.
- They let characters set goals. Without goals to achieve, characters have no reason to act or emote. Readers want to know what’s at stake.
- They allow the action to rise or fall. This movement is what carries your reader forward.
- They let you crank up the conflict. Without conflict, you won’t have tension. And without tension, your story is boring.
It’s the fear of every writer: writing a story your reader CAN put down. No writer wants to think their story is boring, but sometimes it is. Fortunately, there are only a few reasons stories are boring. Once you know what they are, you can make sure that your reader will keep reading.Read More »
Similes can be found in all types of writing, from journalism to fiction to advertising. They’re creative ways to bring more attention and clarity to your meaning than straight narrative.
If you want to give your reader a thoughtful mental image while they’re reading, a simile is a great place to start. When you compare your main character to an animal or even an inanimate object like a giant sequoia, you’re exposing your reader to another way of looking at something that’s fresh and new.Read More »
Aristotle said a metaphor was “the act of giving a thing a name that belongs to something else.” It allows you to pack a powerful punch in a few words. Your reader can take their full understanding of one thing, and apply it to another thing. By writing, “my cubicle is a prison,” your reader understands how you feel about your job. With just that one word that they know you feel trapped, unhappy, desolate.Read More »
The way I draft is an extension of the way I approach novel planning as a whole - which is to start with a simple concept and then add more and more detail until I have a fairly comprehensive outline.
With drafting that means starting with a rough outline and slowly fleshing it out and adding detail, tweaking and weaving until it is finished, polished prose. I try to approach each draft with different priorities in mind so I can focus on tackling particular elements of story-telling at each stage while setting aside other aspects for later so I don’t get bogged down trying to do too much at once.
In this article, I give details about the objective I assign to each draft, how I prepare for that draft (i.e. what I do in advance) and then the technique I use when actually writing it. I’ve also added a very rough guide to projected timescales and a bullet point summary of each stage.Read More »
The Enneagram details 9 internal levels of developmentwhere your main character can find him or herself at any point in time. A person’s personality isn’t static, meaning that it fluctuates depending on whether they are under duress or some good fortune happens. Each of these 9 levels of development represents a major paradigm shift in awareness, meaning your main character changes—for better or worse.
Have a look at the different levels and see if you can place your main character(s) at the beginning of your story and where you want them to be at the end.Read More »
We’re going to spend a little bit of time on plot this month—talking about what NOT to do.
Sometimes it’s hard to see plot problems while you’re writing and you don’t notice them until the end. This will send some writers into a downward spiral of negative self-talk. Others will white-knuckle their way through half-hearted revisions.
Here are a few common plot pitfalls and what you can do to rectify them.Read More »
Plot is what happens to your main character (MC). Things happen and your MC has to deal with or resolve these issues: they receive a mysterious message, they come home to find their spouse in bed with someone else, their house burns down, etc. One thing happens, then another, then another, and each event leads your character further along your narrative arc toward the climax.
Plot is what gives us action. The narrative arc, working in tandem with the character arc, gives us the reaction.Read More »
Last month, we focused our articles on how to begin writing your novel in 2016, and we mentioned story arc in the article Start With Your Idea. In this month’s article, we’re going to delve a little deeper into creating your story arc.
The story arc (or sometimes called the narrative arc) is a more poetic way of saying that each story must have a beginning, a middle, and an end—or Act One, Act Two, and Act Three. This has been the guiding template of stories since the ancient Greeks started writing them, and holds true whether you’re writing fiction or non-fiction.
Where authors fall apart in their story arc is that nothing much happens to the main character by the end of the book. He hasn’t been tested in some profound way.Read More »
If writing a novel is one of your 2016 New Year’s resolutions, you’ll need to tune into ProWritingAid for the next several months. We’ll be discussing how to get started and what to focus on to keep you moving forward.Read More »
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