Articles about narrative
How do you create a story that your readers will love from your first draft? Your top three considerations should be character, plot, and setting.Read More »
Fiction writers don't start from scratch. They can utilize existing character and story archetypes, personality and emotional types, and the goals and the fears of each type. Combining them in a strong storyline is almost a guarantee for creating best-selling works.Read More »
This April, we're sharing 30 horror stories everyone should devour. See which tales set readers' spines tingling, followed by our own top picks.Read More »
Let’s take a look at the four types of stories that Orson Scott Card says comprises every novel. He uses the acronym "MICE", which stands for milieu, idea, character, event.
Within this framework, Card argues something deeply contoversial: not all novels require in-depth characterization.Read More »
Stories have been with us since the beginning of time. Before the written word, if you wanted to pass information to the next generation, you told a story. The same is true today. We’re all storytellers.
Storytelling is a skill anyone can learn and it’s one you need for both speaking and writing. Here’s how to hone your skills and captivate others’ attention.Read More »
As an author, don’t you want to create the mind-blowing plot twist that leaves readers begging you to write more books? Maybe the kind that result in big movie deals…
Wait. If your writing is a means to an end, it’s doubtful your plot twist will make the big bang needed to get on the big screen. Because you can’t force a plot twist; readers will smell it a mile away.
Do it authentically and you’ll create a feverish tension that keeps readers turning the pages to see how this new twist will play out next. Or you’ll end on a final piece of information that changes everything, resonating with readers long after the last page. Here’s how it works.Read More »
If you are an HF writer, hats off to you! I learned haters will find the smallest discrepancy in your writing and crow it from the rooftops. Perhaps HF writers have extra thick skin. Whatever their impetus, they don’t necessarily have a love of history per se—and certainly don’t need a degree. They find either a period, an event, or historical person thoroughly interesting and decide to dig deeper.Read More »
We’re continuing our monthly installment series on creating amazing characters using Orson Scott Card’s seminal book, Elements of Fiction Writing: Characters & Viewpoint. This month, we cover the three elements every characters needs and why you must deliver.Read More »
Characters in books give us insight into the human condition. We learn how people behave and what’s in human nature from our favorite characters in books and on the big screen.
Orson Scott Card says out of the multiple ways to get to know someone, the most powerful and the ones that make the strongest impression are:
- What your character does
- What his or her motives are
- What they’ve done in the past
Let’s look at these and a few other ways of getting to know your characters.Read More »
There are almost no authors writing female characters that don't depend on a romance subplot to carry a book. That's because the Hero's Journey, Campbell's famous framework for the classic tale of a hero on a quest, doesn't work well for a female protagonist.Read More »
I set out on a quest to find if this world has more planners or pants-ers. Alas, there is no definitive answer, at least on the internet. I did, however, determine that most writing instructors ask their students who is a planner and who is a pants-er. This informal poll-taking reports about 50/50.
So, whether you're a planner or a pants-er, you're in good company. How do we know? Here are some famous authors who plan and those who fly by the seat of their pants.Read More »
Here at ProWritingAid, we're geekily interested in writing tech, almost obsessively. And in honor of the upcoming NaNoWriMo, we thought we'd do a roundup of the apps we've reviewed over the years. Links to our full reviews are throughout.Read More »
Think of some of the great nemesis pairs in fiction: Harry Potter and Voldemort, Katniss Everdeen and President Snow, Professor Xavier and Magneto, Superman and Lex Luthor… But there's none better than Batman and The Joker.
The Joker is responsible for numerous tragedies in Batman's life like paralyzing Batgirl and murdering Robin. He's such a popular character that he's ranked 8th on the list of Greatest Comic Book Characters of All Time. One reason he's the perfect nemesis is The Joker is the complete and utter opposite of Batman: he's savage, violent, unpredictable, and will do anything because he has no respect for human life. As Michael Caine said in Dark Knight, The Joker "just wants to see the world burn."Read More »
Are you ready to create a strong, thorough outline for your novel? Brilliant!
From September to November this year, ProWritingAid will be paying for its community to have FREE access for 30 days to Beemgee's world-class novel-outlining software.
Whether you are preparing for NaNoWriMo or just ready to finally write that book, this 30-day challenge is crucial for getting you to the finish line.Read More »
Homer Simpson has only one focus in this world: himself. He has some pretty unlikable characteristics, I'm sure everyone can agree. Why do we love to hate Homer and hate to love him so much? Because he's a well-done anti-hero, that's why.Read More »
Are we hard-wired to seek symbolism in everything from our literature to our everyday life? Spirituality is rife with symbolism, advertisers use symbols to sell their products, and we interpret a smile from someone as a symbol of friendship.
Symbolism in literature uses an object or a word to represent something abstract in your work. A person, an action, a place, a single word, or an object can have symbolic meaning. Symbolism, done well, allows you to hint at a certain mood or emotion instead of showing it.Read More »
Margaret Atwood recently wrote an essay titled "Margaret Atwood on What The Handmaid's Tale Means in the Age of Trump" that caught my eye. There has been a swarm of interest around the book thanks to the upcoming series on Hulu, but I have to admit that I was curious to see if her political views matched mine.
What I found most compelling in the article, however, is how she talked about stretching herself outside her genre when she wrote The Handmaid's Tale:
- "It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory and a lack of plausibility. If I was to create an imaginary garden I wanted the toads in it to be real."
When you’re starting a new story, determining POV is a very important choice. Writing from multiple POVs can be frustrating and confusing for readers if it’s not handled well, so you need to have a very good reason for using multiple POVs in your story.
That said, here are a few tips on how to craft a story using multiple POVs:Read More »
Have you ever been so engrossed in a book that if the ending isn't strong and doesn't resolve all the plot threads, you're disappointed in the whole book? I once read a novel with a deeply engaging main character I really connected with. She struggled and overcame and struggled and overcame. And at the very end of the book, the author killed her. WHAT? It's the only time I've ever thrown a book. And I refused to read anything more by that author.
You know how important it is to hook your reader from the very beginning. It's why you start in the middle of the action, plunging your reader right in so they get caught up in the excitement.
Your ending is as important…if not more.Read More »
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