Articles about narrative
If you are an HF writer, hats off to you! I learned haters will find the smallest discrepancy in your writing and crow it from the rooftops. Perhaps HF writers have extra thick skin. Whatever their impetus, they don’t necessarily have a love of history per se—and certainly don’t need a degree. They find either a period, an event, or historical person thoroughly interesting and decide to dig deeper.Read More »
We’re continuing our monthly installment series on creating amazing characters using Orson Scott Card’s seminal book, Elements of Fiction Writing: Characters & Viewpoint. This month, we cover the three elements every characters needs and why you must deliver.Read More »
Characters in books give us insight into the human condition. We learn how people behave and what’s in human nature from our favorite characters in books and on the big screen.
Orson Scott Card says out of the multiple ways to get to know someone, the most powerful and the ones that make the strongest impression are:
- What your character does
- What his or her motives are
- What they’ve done in the past
Let’s look at these and a few other ways of getting to know your characters.Read More »
There are almost no authors writing female characters that don't depend on a romance subplot to carry a book. That's because the Hero's Journey, Campbell's famous framework for the classic tale of a hero on a quest, doesn't work well for a female protagonist.Read More »
I set out on a quest to find if this world has more planners or pants-ers. Alas, there is no definitive answer, at least on the internet. I did, however, determine that most writing instructors ask their students who is a planner and who is a pants-er. This informal poll-taking reports about 50/50.
So, whether you're a planner or a pants-er, you're in good company. How do we know? Here are some famous authors who plan and those who fly by the seat of their pants.Read More »
Here at ProWritingAid, we're geekily interested in writing tech, almost obsessively. And in honor of the upcoming NaNoWriMo, we thought we'd do a roundup of the apps we've reviewed over the years. Links to our full reviews are throughout.Read More »
Think of some of the great nemesis pairs in fiction: Harry Potter and Voldemort, Katniss Everdeen and President Snow, Professor Xavier and Magneto, Superman and Lex Luthor… But there's none better than Batman and The Joker.
The Joker is responsible for numerous tragedies in Batman's life like paralyzing Batgirl and murdering Robin. He's such a popular character that he's ranked 8th on the list of Greatest Comic Book Characters of All Time. One reason he's the perfect nemesis is The Joker is the complete and utter opposite of Batman: he's savage, violent, unpredictable, and will do anything because he has no respect for human life. As Michael Caine said in Dark Knight, The Joker "just wants to see the world burn."Read More »
Are you ready to create a strong, thorough outline for your novel? Brilliant!
From September to November this year, ProWritingAid will be paying for its community to have FREE access for 30 days to Beemgee's world-class novel-outlining software.
Whether you are preparing for NaNoWriMo or just ready to finally write that book, this 30-day challenge is crucial for getting you to the finish line.Read More »
Homer Simpson has only one focus in this world: himself. He has some pretty unlikable characteristics, I'm sure everyone can agree. Why do we love to hate Homer and hate to love him so much? Because he's a well-done anti-hero, that's why.Read More »
Are we hard-wired to seek symbolism in everything from our literature to our everyday life? Spirituality is rife with symbolism, advertisers use symbols to sell their products, and we interpret a smile from someone as a symbol of friendship.
Symbolism in literature uses an object or a word to represent something abstract in your work. A person, an action, a place, a single word, or an object can have symbolic meaning. Symbolism, done well, allows you to hint at a certain mood or emotion instead of showing it.Read More »
Margaret Atwood recently wrote an essay titled "Margaret Atwood on What The Handmaid's Tale Means in the Age of Trump" that caught my eye. There has been a swarm of interest around the book thanks to the upcoming series on Hulu, but I have to admit that I was curious to see if her political views matched mine.
What I found most compelling in the article, however, is how she talked about stretching herself outside her genre when she wrote The Handmaid's Tale:
- "It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory and a lack of plausibility. If I was to create an imaginary garden I wanted the toads in it to be real."
When you’re starting a new story, determining POV is a very important choice. Writing from multiple POVs can be frustrating and confusing for readers if it’s not handled well, so you need to have a very good reason for using multiple POVs in your story.
That said, here are a few tips on how to craft a story using multiple POVs:Read More »
Have you ever been so engrossed in a book that if the ending isn't strong and doesn't resolve all the plot threads, you're disappointed in the whole book? I once read a novel with a deeply engaging main character I really connected with. She struggled and overcame and struggled and overcame. And at the very end of the book, the author killed her. WHAT? It's the only time I've ever thrown a book. And I refused to read anything more by that author.
You know how important it is to hook your reader from the very beginning. It's why you start in the middle of the action, plunging your reader right in so they get caught up in the excitement.
Your ending is as important…if not more.Read More »
Theme is not your character arc, nor is it the plot or what happens to your character. It's actually the essence that ties those two together. If someone asks you "what is your book about?" you don't respond with scene-by-scene detail, or the changes your character goes through.
You think of your character and what essential thing she or he comes to understand through the course of the book.
If you can't do that, you don't have a firm grasp on your story's theme.Read More »
Kurt Vonnegut, author of such classics as Slaughterhouse Five and Breakfast of Champions, stands today as one of the 20th century’s most important American writers. I can’t think of anyone better placed to give literary advice, and, thankfully, he agreed with me.
These eight tips were originally written by Vonnegut to apply exclusively to writers of short stories, but I reckon they’re just as useful for writers of longer fiction.Read More »
The founders of Writers Helping Writers have created an innovative platform for writers to boost their creativity and enhance their skill set: One Stop For Writers. The creators call it the "library," and it's complete with an "Information Desk," "Thesaurus," "The Stacks," and more.
Whether this is your first rodeo and you need some entry level writing help, or you're an old hand and just want a fun way to plan your novel, One Stop For Writers has scads of resources, templates, online tools, and lessons to help you write the best novel yet.
We're going to cover just the highlights because it can take you days of roaming around the "library" to see and experience everything.Read More »
Many writing experts advise that you consider the current market as you write. If a reader buys one kind of book and likes it, they will look for more of the same. This notion is why you’ll see clone books pop up whenever there’s a breakout novel that runs up the bestseller list. Those writers follow the market.Read More »
Foreshadowing allows you to plant clues, hint at what’s to come, build the tension, or even place a red herring in your reader’s path.
You can use foreshadowing in a variety of ways. The resulting action can be immediate or delayed. You can use dialogue or narrative to set the scene, and you can foreshadow a symbolic event or an ethical dilemma. You can use direct or indirect foreshadowing, and it can even be true or false.
Foreshadowing can feed the tension of a scene. Who doesn’t know the famous shower scene in the movie Psycho? Right before the character Marion Crane pulls up to the Bates Motel, her windshield wipers are slashing through the rain, foreshadowing what awaits her in the shower scene.Read More »
A flashback is a scene you use in your current narrative to show something that happened in the past. The two key differentiators are: 1) it must be a scene (as opposed to narration about an event), and 2) it’s past news.
Flashbacks are great for building three-dimensional characters because readers gains insight on how a character’s thoughts, feelings, and morals were formed by important events. They’re also useful for dropping hints about what happened to lead your main character to the current point in time. They help your readers understand and care deeply about your characters and what happens to them.Read More »
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