Articles about story arc
Stories have been with us since the beginning of time. Before the written word, if you wanted to pass information to the next generation, you told a story. The same is true today. We’re all storytellers.
Storytelling is a skill anyone can learn and it’s one you need for both speaking and writing. Here’s how to hone your skills and captivate others’ attention.Read More »
As an author, don’t you want to create the mind-blowing plot twist that leaves readers begging you to write more books? Maybe the kind that result in big movie deals…
Wait. If your writing is a means to an end, it’s doubtful your plot twist will make the big bang needed to get on the big screen. Because you can’t force a plot twist; readers will smell it a mile away.
Do it authentically and you’ll create a feverish tension that keeps readers turning the pages to see how this new twist will play out next. Or you’ll end on a final piece of information that changes everything, resonating with readers long after the last page. Here’s how it works.Read More »
We culled some of the biggest reader polls from Goodreads and National Public Radio’s Books. The following top 25 best Science Fiction books ever published were voted on by thousands of devoted science fiction readers.Read More »
Shifting back and forth in time creates suspense. Your readers can unravel the past and understand the ramifications in the present a little at a time. It creates a tension that makes your books hard to put down.Read More »
What do we love so much about Elizabeth Bennet? She's strong, and she's feisty. Just because she's expected to act a certain way doesn't mean she'll bend her convictions and change her behavior. She's real, right?Read More »
I set out on a quest to find if this world has more planners or pants-ers. Alas, there is no definitive answer, at least on the internet. I did, however, determine that most writing instructors ask their students who is a planner and who is a pants-er. This informal poll-taking reports about 50/50.
So, whether you're a planner or a pants-er, you're in good company. How do we know? Here are some famous authors who plan and those who fly by the seat of their pants.Read More »
Here at ProWritingAid, we're geekily interested in writing tech, almost obsessively. And in honor of the upcoming NaNoWriMo, we thought we'd do a roundup of the apps we've reviewed over the years. Links to our full reviews are throughout.Read More »
Are you trying to fit into a genre or sub-genre because it's popular right now? That's like trying to fit into a political party when your philosophy is somewhere in the middle. It's hard to find the right fit in either party, right?
Maybe it's time you created your own sub-genre or genre. Look at what Bridget Jones's Diary did for chick lit. And what The Hunger Games did for YA dystopian. And I'm still not sure how to categorize Jodi Picoult's novels. If you look up the genres of her books, you'll find "Genre: Fiction + Literature; Sub-Genre: Literary or Contemporary." Huh? Nonetheless, she's created her own space on the best seller list.Read More »
Are you ready to create a strong, thorough outline for your novel? Brilliant!
From September to November this year, ProWritingAid will be paying for its community to have FREE access for 30 days to Beemgee's world-class novel-outlining software.
Whether you are preparing for NaNoWriMo or just ready to finally write that book, this 30-day challenge is crucial for getting you to the finish line.Read More »
Are we hard-wired to seek symbolism in everything from our literature to our everyday life? Spirituality is rife with symbolism, advertisers use symbols to sell their products, and we interpret a smile from someone as a symbol of friendship.
Symbolism in literature uses an object or a word to represent something abstract in your work. A person, an action, a place, a single word, or an object can have symbolic meaning. Symbolism, done well, allows you to hint at a certain mood or emotion instead of showing it.Read More »
Your antagonist can make the difference between a ho-hum novel and a break-out one.
A fully realized villain is someone who shows us parts of ourselves in his or her makeup. If you can connect in some human way with the antagonist, it's going to bring up all kinds of tension for readers.Read More »
I recently came across a book by James Scott Bell that lays out an interesting premise about something he calls the 'mirror moment'.
Bell's theory is that there is a single moment in the middle of the story where the main character takes a "long, hard look at himself (as in a mirror). He asks, Who am I? What have I become? Who am I supposed to be?"
Bell says if you can nail that moment, everything that comes before and after it will have more depth and resonance.Read More »
When you’re starting a new story, determining POV is a very important choice. Writing from multiple POVs can be frustrating and confusing for readers if it’s not handled well, so you need to have a very good reason for using multiple POVs in your story.
That said, here are a few tips on how to craft a story using multiple POVs:Read More »
Have you ever been so engrossed in a book that if the ending isn't strong and doesn't resolve all the plot threads, you're disappointed in the whole book? I once read a novel with a deeply engaging main character I really connected with. She struggled and overcame and struggled and overcame. And at the very end of the book, the author killed her. WHAT? It's the only time I've ever thrown a book. And I refused to read anything more by that author.
You know how important it is to hook your reader from the very beginning. It's why you start in the middle of the action, plunging your reader right in so they get caught up in the excitement.
Your ending is as important…if not more.Read More »
You may have noticed that we at ProWritingAid have a fondness for technology that makes writers better, stronger, more organized, and highly productive. If you like creating a storyboard for your novels, or if you want an innovative app to capture all of your to-do’s for your client work, let us introduce Trello.
For those of us who use sticky notes, index cards, and other forms of reminders to help you organize everything you need for a writing project, Trello is the easiest, most intuitive way to organize your work.Read More »
Chefs around the world don’t merely copy the recipes of other great chefs. Instead, they dissect the completed dish, looking for ways to improve it and make it their own. In the same sense, writers shouldn’t copy the masters. We’re not saying don’t learn from the masters, but rather dissect their work and see what makes it great.Read More »
If you haven’t read The Martian, it’s 369 pages of full-on tension. Mark Watney, the main character, faces one set-back after another as he’s fighting for his life on Mars. The stakes are pretty high; if he doesn’t get off Mars soon, he’ll die.
Weir is a master at creating tension. Just when things are finally going right for Watney, Weir pulls the rug out from under his feet. We watch as Watney perseveres through untenable disasters that would crush the rest of us. Weir keeps readers asking throughout the story, “How’s he going to get out of this one?”Read More »
Foreshadowing allows you to plant clues, hint at what’s to come, build the tension, or even place a red herring in your reader’s path.
You can use foreshadowing in a variety of ways. The resulting action can be immediate or delayed. You can use dialogue or narrative to set the scene, and you can foreshadow a symbolic event or an ethical dilemma. You can use direct or indirect foreshadowing, and it can even be true or false.
Foreshadowing can feed the tension of a scene. Who doesn’t know the famous shower scene in the movie Psycho? Right before the character Marion Crane pulls up to the Bates Motel, her windshield wipers are slashing through the rain, foreshadowing what awaits her in the shower scene.Read More »
A flashback is a scene you use in your current narrative to show something that happened in the past. The two key differentiators are: 1) it must be a scene (as opposed to narration about an event), and 2) it’s past news.
Flashbacks are great for building three-dimensional characters because readers gains insight on how a character’s thoughts, feelings, and morals were formed by important events. They’re also useful for dropping hints about what happened to lead your main character to the current point in time. They help your readers understand and care deeply about your characters and what happens to them.Read More »
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