Articles about writing style
The Consistency Check checks your writing for consistency in four key areas: 1) Spelling, 2) Hyphenation, 3) Capitalisation, and 4) Punctuation.Read More »
Just like real life, your characters will have more than one thing demanding their time and attention. Romances, family life, work concerns, health issues, friendships, etc. These additional plot lines are subplots that give your story depth and help keep it moving.
And as with your main plot, all subplots should follow a narrative arc of conflict, crisis, and resolution, usually wrapped up before the main plot’s climax.
Subplots can be what’s happening to secondary characters or an internal conflict your main character is facing in addition to the main conflict of your story. The key to an effective subplot is how you work it into the main plot.Read More »
Your ProWritingAid Summary Report will provide you with a variety of readability scores that have been calculated using some of the top tools out there. Each tool calculates their score in a slightly different way but the results should be within the same ballpark.
The Flesch Reading Ease Score is the most well-known readability test out there (even the US military use it to assess the readability of their technical manuals). It calculates the total number of words in each sentence, and then the total number of syllables in each word, and gives you two scores.Read More »
The Grammar Check is similar to the grammar and spelling checkers that you have probably used in within your word processor. It highlights any word that’s not in our dictionary in case it’s misspelled. It also looks at the construction of the sentence to make sure that the structure, punctuation and tense are correct.
But, in addition to these standard grammar checks, our team of copyeditors have been inputting thousands of specific checks that they have come across in their years of editing. Our goal over the next couple of years is to have a simple explanation associated with every grammar issue that the software picks up.Read More »
The Writing Style Check is one of the most popular and comprehensive reports that ProWritingAid offers. It highlights several areas of writing that should be revised to improve readability, including passive voice, overuse of adverbs, hidden verbs, overused words, clunky phrasing, repeated sentence starts, and more.Read More »
The way I draft is an extension of the way I approach novel planning as a whole - which is to start with a simple concept and then add more and more detail until I have a fairly comprehensive outline.
With drafting that means starting with a rough outline and slowly fleshing it out and adding detail, tweaking and weaving until it is finished, polished prose. I try to approach each draft with different priorities in mind so I can focus on tackling particular elements of story-telling at each stage while setting aside other aspects for later so I don’t get bogged down trying to do too much at once.
In this article, I give details about the objective I assign to each draft, how I prepare for that draft (i.e. what I do in advance) and then the technique I use when actually writing it. I’ve also added a very rough guide to projected timescales and a bullet point summary of each stage.Read More »
Passive voice occurs when you take the object of your sentence—the part that the action happens to—and make it the subject of your sentence.
Here are some examples:
Passive: The flag was raised by the troops.
Active: The troops raised the flag.
The standard definition of a character arc is how your main character changes over the course of your story.
The most common form of character arc is the Hero’s Journey. An ordinary person receives a call to adventure and, at first, he or she refuses that call. There’s usually a mentor who helps the hero accept or learn how to attempt the adventure. Think of Yoda in Star Wars. But there’s more out there than just the good guy or gal who’s transformed by the end of the story. Not all characters undergo some major transformation. In some cases, they will grow, but not transform.Read More »
You’ve heard it before, most likely from a teacher, an editor, or your agent. But Anton Chekhov said it most eloquently:
Don’t tell me the moon is shining; show me the glint of light on broken glass.
It may seem apparent when Chekhov says it, but sometimes it’s hard to put that advice into practice. There are times when your reader needs to be “told” because brevity is called for. On the other hand, no one wants to read your brain dump on every little matter.Read More »
Last month, we focused our articles on how to begin writing your novel in 2016, and we mentioned story arc in the article Start With Your Idea. In this month’s article, we’re going to delve a little deeper into creating your story arc.
The story arc (or sometimes called the narrative arc) is a more poetic way of saying that each story must have a beginning, a middle, and an end—or Act One, Act Two, and Act Three. This has been the guiding template of stories since the ancient Greeks started writing them, and holds true whether you’re writing fiction or non-fiction.
Where authors fall apart in their story arc is that nothing much happens to the main character by the end of the book. He hasn’t been tested in some profound way.Read More »
A cliché is a tired, stale phrase or idiom that, because of overuse, has lost its impact. What was once a fresh way of looking at something has become a weak prop for writing that feels unimaginative and dull. Clichés are what you write when you don’t have the energy or inspiration to think of a new way to express an idea.
George Orwell in his Rules of Writing said: “Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.” Be creative and come up with something fresh. A new analogy or metaphor will make much more of an impression on your readers than a dusty old cliché.Read More »
You wrote a novel! Well done. Reaching the NaNoWriMo goal of 50,000 words in a month is an impressive feat. So, now you can just sit back, put up your feet and wait for the publishers to come knocking.Read More »
Dialogue can be about much more than just the words on the page. Good authors use it to build tension and subtly set the tone of each interaction. The words their characters choose say so much more than just their lexical meaning. So how you can use dialogue to create captivating characters and move your story forward? Here are 5 tricks: 1) Create power dynamicsRead More »
We know that many of you, like us, need a fast-approaching deadline in order to really get down to the business of writing. The problem with doing it all at the last minute means that your editing time is short and needs to be efficient and effective. These three reports will help you do swift and snappy edit when you are down to the wire:Read More »
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- List of Cliches
- 10 Free Writing Apps and Tools
- 10 Websites to Help Improve Your Grammar
- How to use... The Sticky Sentence Report
- How to use... Readability Scores
- Writing App Reviews: A Comparison of the Best
- Grammar Rules You Should Ignore
- Why Every Heroine Does Not Need a Love Interest
- The 10 Writing Quotes that Shape My Writing Process
- How Stieg Larsson Kept his Readers Turning Pages
- How to Break the Rules of Fiction
- How Non-Chronological Writing Can Create Character Empathy
- 4 Writing Issues You are Probably Missing When You Self-Edit
- Becoming a Freelance Writer Can Be Easier Than You Think
- Fixing First Draft Problems: 6 questions to ask
- Getting Started with ProWritingAid’s Google Docs Add-on.
- The Myth of One and Done: Why you need to edit multiple times
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