Articles about character development
How do you craft a character that everyone loves to love or loves to hate? In this article, author Kathy Edens examines the characteristics you should give your characters depending on the audience reaction you're seeking.Read More »
Are you a new writer? Discover why planning speeds up your writing time, and check out these steps for planning your novel.Read More »
Fiction writers don't start from scratch. They can utilize existing character and story archetypes, personality and emotional types, and the goals and the fears of each type. Combining them in a strong storyline is almost a guarantee for creating best-selling works.Read More »
Not all characters are created equal. We teach you the techniques you need to grab your readers by the emotional coat-tails with these three character types.Read More »
How to create a sleuth readers will love. Check this strategy to build your mystery protagonist from concept to detail.Read More »
Let’s take a look at the four types of stories that Orson Scott Card says comprises every novel. He uses the acronym "MICE", which stands for milieu, idea, character, event.
Within this framework, Card argues something deeply contoversial: not all novels require in-depth characterization.Read More »
As an author, don’t you want to create the mind-blowing plot twist that leaves readers begging you to write more books? Maybe the kind that result in big movie deals…
Wait. If your writing is a means to an end, it’s doubtful your plot twist will make the big bang needed to get on the big screen. Because you can’t force a plot twist; readers will smell it a mile away.
Do it authentically and you’ll create a feverish tension that keeps readers turning the pages to see how this new twist will play out next. Or you’ll end on a final piece of information that changes everything, resonating with readers long after the last page. Here’s how it works.Read More »
Start with a real-life person—yourself. Plumb all your deep, dark places and put yourself in the shoes of your main character. You are a well of inspiration. Make this your jumping-off point to create truly believable characters.Read More »
Whether you are a planner or a pants-er, if you haven’t checked out the Outline Your Novel program, you’re missing out. I spent hours with this software and have never felt a more powerful urge to create.Read More »
If you are an HF writer, hats off to you! I learned haters will find the smallest discrepancy in your writing and crow it from the rooftops. Perhaps HF writers have extra thick skin. Whatever their impetus, they don’t necessarily have a love of history per se—and certainly don’t need a degree. They find either a period, an event, or historical person thoroughly interesting and decide to dig deeper.Read More »
We’re continuing our monthly installment series on creating amazing characters using Orson Scott Card’s seminal book, Elements of Fiction Writing: Characters & Viewpoint. This month, we cover the three elements every characters needs and why you must deliver.Read More »
Characters in books give us insight into the human condition. We learn how people behave and what’s in human nature from our favorite characters in books and on the big screen.
Orson Scott Card says out of the multiple ways to get to know someone, the most powerful and the ones that make the strongest impression are:
- What your character does
- What his or her motives are
- What they’ve done in the past
Let’s look at these and a few other ways of getting to know your characters.Read More »
Have you noticed how many rules you must follow when writing your novel? Some of them, like having a strong beginning, engaging middle, and exciting conclusion, are good advice. Then other rules, like how to format your novel for submission and checking submission guidelines first, are pretty strict. Finally, there are rules meant to be broken.Read More »
Shifting back and forth in time creates suspense. Your readers can unravel the past and understand the ramifications in the present a little at a time. It creates a tension that makes your books hard to put down.Read More »
Having a relationship with an editor you can trust, one who is flexible enough to work around your tight schedule is one way to do it. But even then, you need to ensure the that your editor is spending most of her time on the meat of your story like plot and character development, and less time on the technical stuff like sentence construction and word choice. Ideally, you want your text to be as tight as possible BEFORE you send it to your editor.Read More »
A finished manuscript is not a polished manuscript, and editors, agents, and readers want a polished manuscript—a finished product that lives up to the quality standards we’ve come to expect.
Whether you’re writing fiction, nonfiction, a blog post, a magazine article, or any other piece of professional writing, you need to edit your work.
And you need to edit it multiple times!Read More »
Learning how to write a book is a many-stepped process – finding a story idea you love, outlining, drafting, rewriting and editing. Although you will encounter challenges during your first draft, asking good questions and acting on your answers will help you keep focused and finish:Read More »
I have known my cowriter for six years. It’s a long story full of coincidences and serendipity, but it completely changed my writing process. I rely on her in so many ways.
We both wrote on an anonymous writing website where we worked on stories under pseudonyms. My cowriter and I met in the typical way: she reviewed my chapter, and out of common courtesy, I reviewed hers in return. We liked each other’s work, so we continued to follow and review, and we eventually started private messaging. Even then, we mostly talked about our writing, but over time, we started getting to know each other beyond our pseudonyms.Read More »
There are almost no authors writing female characters that don't depend on a romance subplot to carry a book. That's because the Hero's Journey, Campbell's famous framework for the classic tale of a hero on a quest, doesn't work well for a female protagonist.Read More »
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