Articles about how to write a novel
A flashback is a scene you use in your current narrative to show something that happened in the past. The two key differentiators are: 1) it must be a scene (as opposed to narration about an event), and 2) it’s past news.
Flashbacks are great for building three-dimensional characters because readers gains insight on how a character’s thoughts, feelings, and morals were formed by important events. They’re also useful for dropping hints about what happened to lead your main character to the current point in time. They help your readers understand and care deeply about your characters and what happens to them.Read More »
The newest version of ProWritingAid comes with some shiny new features to check out including a Word Explorer, summary reports, easier navigation, contextual thesaurus, detailed explanations and more. Take it for a spin now.Read More »
Pacing your story is like using the throttle to give an engine more gas. With more throttle, the engine revs up and speed increases. Less throttle slows you down so you can see the passing scenery.
Controlling the pacing of your story is like maneuvering through city streets, main thoroughfares, and high-speed highways. You need different speeds to maintain control of your vehicle in each situation.Read More »
The term “literary device” refers to some common techniques that writers use to add meaning to their writing and get their message across more poignantly. When mastered, literary devices can help your reader interpret your scenes and understand your ideas with greater depth.
There are hundreds of literary devices to choose from, but let’s talk about some of the ones that will add layers to your writing.Read More »
We love technology at ProWritingAid and how it helps writers improve. Over the past few months, we’ve been checking out some of the best writing technology out there. We've already reviewed Scrivener, The Novel Factory, Ulysses, and ILYS, this month we look at a new app called Rough Draft.Read More »
Very occasionally some exceptional writers can get away with shifting Point of View (POV) between two characters within the same sentence. Most of us, however, should avoid this kind of head-hopping.
Where Faulkner and Joyce are masters at POV shifting (and they make it seem so effortless), here are a few rules the rest of us should follow when shifting between characters.Read More »
If this is your first time doing NaNoWriMo, don’t stress out too much about it. It’s a huge learning process where you’ll discover what’s most important for you to be able to produce content on a continual basis to move forward towards your end goal of 50,000 words in 30 days.
The biggest lesson I’ve learned over the years is that it’s not so much about the end result. What you have at the end of 30 days will in no shape or form be a novel ready to print. Depending on your genre, novels can be 80,000 words and up. Just understand: you won’t be finished with it on November 30th.Read More »
Inner dialogue is an excellent way to give your readers a peek inside the heart and mind of your characters. Readers can’t get this depth of character strictly from the actions you include in your story. You should give them inner thoughts to create 3-D characters with which your readers will fall in love.
The bad news is that there is no hard and fast rule about formatting inner dialogue. Depending on which author, editor, or publisher you talk to, there are as many ways to handle inner dialogue as there are people writing it.Read More »
So you are ready to write your novel. Excellent. Are you prepared? The last thing you want when you sit down to write your first draft is to lose momentum. Have you figured out the key traits of your characters so that you know how they will act (and react) in each scene? Have you thought through the climax of your narrative so that you can lay all the groundwork to get there? Have you researched the setting of your story so you can make it feel authentic?
Use this guide before you start writing to work out your narrative arc, plan out your key plot points, flesh out your characters, and begin to build your world. Then, when you begin your writing journey, you will have a map to follow along the way.Read More »
In this post, Kathy Edens introduces us to six of the most popular novel-writing methods out there: 1) The Snowflake Method, 2) The 30-Day Method, 3) The 5-Step Method, 4) The Write From The Middle Method, 5) The 5-Draft Method, 6) The Novel Factory Methods. The best method is the one that speaks to you. It’s the one that you’ll commit to and use to start writing your novel. But more importantly, it’s the one that will help see you through to the end.
Only you can decide what’s the best method for you because every writer is different with different needs and motivations. Choose what works best for you. Or experiment with different methods to find the one that helps you be your most productive ever.Read More »
Write first. Proofread in December.
It’s all about getting the words down on the page (or the computer screen). We published an article a couple of months ago about ilys, an online platform that only allows you to see the last letter you typed on the screen. You can’t go back and edit—you can only keep typing until you’ve hit your word goal for the day. While this platform may take the “just write, don’t edit” rule further than many writers are comfortable with, the idea remains the same whether you are writing in word, Scrivener or with a quill and ink. Just write.Read More »
Writing myths have been around as long as we’ve been writing—“real writers don’t get writer’s block”, “the tools maketh the story”, “writing is solitary”, and on and on—and they’re so common we often simply accept them as truth. But just how much weight do they really carry?
These are four of the most common writing myths. From tools to time to mindset, you might be surprised to find there’s less truth to them than you thought.Read More »
Danny Mancini is part of the team at Penguin Random House The Writers’ Academy. They excel at helping aspiring writers to hone their craft and sharpen up their writing technique. Whether you've been writing fiction for a long time or are completely new to the process, there are a number of common writing mistakes that all authors should be wary of.
So if you're struggling from a case of writer's block, or wondering what's blocking you on the path to publication, read on below to ensure that you're not making any of these fatal writing errors...Read More »
Sometimes, narrative and exposition are used synonymously to explain parts of a novel that “narrate” information for the reader. They are, in fact, different devices used to give the reader information. Used appropriately, narrative and exposition affect the pacing of your story.Read More »
When I decided I wanted to be a writer, the idea of “Write what you know” made me feel like a whole realm of literary possibility was off-limits to me. And yet, my own breadth of experience felt too small to contain a great story. I began to worry that my lack of experiences in life meant that I had nothing important to say. Seriously, who wants to read about my boring life?
I wish someone had explained that the concept of “Write what you know” is much bigger and more nuanced than that.Read More »
Inner dialogue. Internal thought. Interior monologue. Internal speech. Whatever you call it, this internal thought process is as important as regular dialogue, character arc, and narrative arc in helping your reader understand your main character at an intimate level. It also serves to move your story forward and keep your readers deeply connected.
Unlike the one- or two-dimensional characters you see in movies and on television, when using inner dialogue in your narrative, it helps you present a much more nuanced and three-dimensional character. And since most stories are character driven, you really need to add that inner dialogue in.Read More »
Here at ProWritingAid we spend a lot of time looking at the things you should be doing to get your novel done. But what about the things you SHOULDN'T be doing?
In this essential post, Kathy Edens looks at five common things that will ensure that your novel never gets finished.Read More »
Did you know that a large portion of ProWritingAid users are professional writers? Some are published authors, some run high-traffic blogs, others run successful content generation companies. We love it when they take the time to share what they have learned over the years. We hope that their insights and experience help you become the writer you want to be.
This month, we speak to self-published author, Iain Rob Wright. We connected with him after he created a ProWritingAid tutorial video earlier this year. Iain was one of the first to see the potential of the self-publishing movement and managed to ride the wave back in 2011. He is now a full-time writer with fourteen books under his belt.Read More »
This month we look at The Novel Factory, a writing app that will appeal to all the planners out there.
The app walks you through 16 highly-detailed steps that include: defining your basic premise; setting out your plot points; fleshing out your characters; building your world; generating scenes; weaving your plot details together; and so much more. It even takes you through the submission process. What makes this program so incredibly useful is that you learn about the process of writing a novel as you go.Read More »
Scenes are the rising and falling action, and the soft moments in between, that move your story forward. They have a couple of basic purposes:
- They establish time and place. They give the reader a marker on where and when things are happening.
- They help develop character. Even if the scene is pure action, you learn about the character’s motivations by his or her decisions, choices, and actions.
- They let characters set goals. Without goals to achieve, characters have no reason to act or emote. Readers want to know what’s at stake.
- They allow the action to rise or fall. This movement is what carries your reader forward.
- They let you crank up the conflict. Without conflict, you won’t have tension. And without tension, your story is boring.
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