Articles about how to write a novel
Writers who use satire to get their point across do so by wielding humor, wit, irony, or sarcasm. They expose an individual or society for its weaknesses, corruption, hypocrisy, or foolishness. And no one does it better than Mark Twain.Read More »
Writing isn't magic. There's no fairy godmother called "Muse" who comes to you and waves her magic pen to fill your head with ideas and words. It's hard work, and you must sit in front of the computer or grab pen and paper and get your work done.Read More »
When writer Kathy Edens joined her local writing group, she was confronted with two common myths about writers. She is here to set the record straight!Read More »
An allegory is a story that evokes two separate meanings. The first meaning is the story's surface, like characters and plot, the stuff that goes into every story. But at a much deeper level, an allegory has a symbolic, heavy meaning.
What allegories come to mind? Maybe The Lord of the Flies; The Lion, the Witch, and the Wardrobe; Moby Dick; or Pilgrim's Progress?Read More »
Are you ready to create a strong, thorough outline for your novel? Brilliant!
From September to November this year, ProWritingAid will be paying for its community to have FREE access for 30 days to Beemgee's world-class novel-outlining software.
Whether you are preparing for NaNoWriMo or just ready to finally write that book, this 30-day challenge is crucial for getting you to the finish line.Read More »
A CV is a tool to capture all of your thoughts about your main character and keep track of the many idiosyncrasies and character traits. Just as important, it helps you capture and record the intertwined relationships of all the characters in your novel. Especially if you use several points of view or have multiple main characters, you need to capture them each distinctly.Read More »
Homer Simpson has only one focus in this world: himself. He has some pretty unlikable characteristics, I'm sure everyone can agree. Why do we love to hate Homer and hate to love him so much? Because he's a well-done anti-hero, that's why.Read More »
"Write what you know" has been around forever. Some attribute it to Mark Twain and others to Hemingway. Regardless of who came up with this entreaty, my writing would be middle-class, ho-hum if I had to stick with only writing what I've experienced. Isn't that what research is for, right?Read More »
Character Voice is as difficult to pin down as it is critical.
Plenty of writing advice resources talk about the importance of your main characters each having a unique voice, but how do you achieve that?
The main problem is that all of those characters are essentially coming from the same mind – yours – so you need to find ways to ensure your personal characteristics, speech patterns and nuances don’t all bleed into your characters.Read More »
What is it you fear most as you sit in front of a blank screen? Perhaps the fear of rejection holds you back from putting words on paper. You know your work is likely to get rejected by publishers and agents because the experience of others told you to expect it.
Maybe you fear humiliation. Putting yourself out there on paper opens you up to all kinds of criticism and ridicule. It's really hard to be vulnerable in your writing because the critics' sting hurts that much more.Read More »
What is it about a great story that keeps you turning the pages? Think of the last book you devoured in one sitting. What kept you so engrossed you had to stay up until 4am to finish it?
For those of us who sit bleary-eyed in front of a computer because we couldn't put a good book down last night, we stumbled across an author who knows how to raise the stakes.
And the higher the stakes, the better—am I right?Read More »
Do you always check your work for repeated or overused words or phrases? I know I don't. Sometimes I can be so close to my writing that I don't notice when I've used a certain word too many times in the space of 3 or so paragraphs. In my mind, it sounds natural.Read More »
Bored by your own writing? You could be suffering from the toll of ignoring your best ideas. ‘But why on earth would I ignore an idea if it’s good?’, you’re wondering. The answer is that you probably don’t even know you’re doing it.Read More »
Your antagonist can make the difference between a ho-hum novel and a break-out one.
A fully realized villain is someone who shows us parts of ourselves in his or her makeup. If you can connect in some human way with the antagonist, it's going to bring up all kinds of tension for readers.Read More »
When a student wrote to Roald Dahl in 1980 asking for help on his thesis, he received this rather curt letter in reply. We think it's wonderful.Read More »
I recently came across a book by James Scott Bell that lays out an interesting premise about something he calls the 'mirror moment'.
Bell's theory is that there is a single moment in the middle of the story where the main character takes a "long, hard look at himself (as in a mirror). He asks, Who am I? What have I become? Who am I supposed to be?"
Bell says if you can nail that moment, everything that comes before and after it will have more depth and resonance.Read More »
Margaret Atwood recently wrote an essay titled "Margaret Atwood on What The Handmaid's Tale Means in the Age of Trump" that caught my eye. There has been a swarm of interest around the book thanks to the upcoming series on Hulu, but I have to admit that I was curious to see if her political views matched mine.
What I found most compelling in the article, however, is how she talked about stretching herself outside her genre when she wrote The Handmaid's Tale:
- "It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory and a lack of plausibility. If I was to create an imaginary garden I wanted the toads in it to be real."
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- How to Write a Mind-Blowing Plot Twist Like Gone Girl
- Writing Characters & Making Decisions: "What Kind of Story Are You Telling?"
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- Characters: Raise the Stakes to Make Readers Love 'Em or Hate 'Em
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