Characters in books give us insight into the human condition. We learn how people behave and what’s in human nature from our favorite characters in books and on the big screen. Orson Scott Card says out of the multiple ways to get to know someone, the most powerful and the ones that make the strongest impression are: - What your character does - What his or her motives are - What they’ve done in the past Let’s look at these and a few other ways of getting to know your characters.
Cursed exclamation points! What purpose do they serve in modern literature? They’re still taught as basic punctuation, but their existence is frowned upon. Last I heard, no more than two should be used in an entire novel. Two? That’s it? Even for thrillers and horror?! This topic outrages me to the point of using them after every sentence, even the questions.
Compound adjectives are made up of a combination of *noun* plus *adjective*, *noun* plus *participle*, or *adjective* plus *participle*. More often than not, these are hyphenated. Let’s look at a few.
How you format dialogue is a matter of style rather than a rule. There are a few guidelines, however, that make dialogue easier for your reader to follow. And we want our work to be easy to read. Some novelists like Cormac McCarthy do their own thing with dialogue. For example, McCarthy doesn’t use quotation marks, which is his style of choice. Most of us need to follow our publishing house’s rules, or at least accepted standards. Here are 3 unequivocal standards for starting new paragraphs in dialogue.
To italicize or underline. That is the question. How do you handle the titles of magazines, books, newspapers, academic journals, films, television shows, long poems, plays, operas, works of art like paintings and sculptures, music albums, etc.?
Inner dialogue is an excellent way to give your readers a peek inside the heart and mind of your characters. Readers can’t get this depth of character strictly from the actions you include in your story. You should give them inner thoughts to create 3-D characters with which your readers will fall in love. The bad news is that there is no hard and fast rule about formatting inner dialogue. Depending on which author, editor, or publisher you talk to, there are as many ways to handle inner dialogue as there are people writing it.
Are you aware of these three little lines and how they’re used in punctuation? -Hyphen ⎻En Dash —Em Dash Let’s talk a little more about each.
Depending on who you subscribe to, you may hear some very different ideas concerning when and how to hyphenate. We’re here to set the record straight: When in doubt, look it up. Yep. This is the one form of punctuation that you’re best off looking up if you’re unsure. And another complication is that various style manuals conform to different rules. Add to that the state of fluctuation around certain words that can either be hyphenated, two separate words, or written together as one. Click through for some practical examples.
Dialogue is a fantastic way to bring your readers into the midst of the action. They can picture the main character talking to someone in their mind’s eye, and it gives them a glimpse into how your character interacts with others. That said, dialogue is hard to punctuate, especially since there are different rules for different punctuation marks—because nothing in English grammar is ever easy, right? We’re going to try to make this as easy as possible.
What is the Oxford comma? And why is there so much debate around whether it should be used? ProWritingAid advocates a nuanced approach to the Oxford comma depending on the clarity of the sentence.