The Writing Process

How-To Techniques to Establish Pace

by ProWritingAid Oct 28, 2016

How-To Techniques to Establish Pace

Pacing your story is like using the throttle to give an engine more gas. With more throttle, the engine revs up and speed increases. Less throttle slows you down so you can see the passing scenery.

Controlling the pacing of your story is like maneuvering through city streets, main thoroughfares, and high-speed highways. You need different speeds to maintain control of your vehicle in each situation.

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How Literary Devices Can Add Depth to Your Writing

by Kathy Edens Oct 14, 2016

How Literary Devices Can Add Depth to Your Writing

The term “literary device” refers to some common techniques that writers use to add meaning to their writing and get their message across more poignantly. When mastered, literary devices can help your reader interpret your scenes and understand your ideas with greater depth.

There are hundreds of literary devices to choose from, but let’s talk about some of the ones that will add layers to your writing.

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Can Distractions Actually Boost a Writer's Productivity?

by Tess Pajaron Oct 12, 2016

Can Distractions Actually Boost a Writer's Productivity?

As a writer, you may dream of a day where you can sit down at your desk and simply write, with no distractions. Instead, you have to deal with phone calls and emails, and people coming over to talk to you. You have the whole of the internet at your fingertips to distract you, as well as the sounds of the outside world. You can even be distracted by your own thoughts.

But what if we are thinking of these distractions in the wrong way? Could they be something that actually improves your productivity?

Let’s take a look at the ways in which this could be true.

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How to Seamlessly Shift Between POV Characters

by Kathy Edens Oct 07, 2016

How to Seamlessly Shift Between POV Characters

Very occasionally some exceptional writers can get away with shifting Point of View (POV) between two characters within the same sentence. Most of us, however, should avoid this kind of head-hopping.

Where Faulkner and Joyce are masters at POV shifting (and they make it seem so effortless), here are a few rules the rest of us should follow when shifting between characters.

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Triumphing at NaNoWriMo: 4 Important Ways to Get Ready for NaNoWriMo

by Kathy Edens Oct 07, 2016

Triumphing at NaNoWriMo: 4 Important Ways to Get Ready for NaNoWriMo

If this is your first time doing NaNoWriMo, don’t stress out too much about it. It’s a huge learning process where you’ll discover what’s most important for you to be able to produce content on a continual basis to move forward towards your end goal of 50,000 words in 30 days.

The biggest lesson I’ve learned over the years is that it’s not so much about the end result. What you have at the end of 30 days will in no shape or form be a novel ready to print. Depending on your genre, novels can be 80,000 words and up. Just understand: you won’t be finished with it on November 30th.

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New E-book: The Novel-Writing Training Plan

by Lisa Lepki Oct 03, 2016

New E-book: The Novel-Writing Training Plan

So you are ready to write your novel. Excellent. Are you prepared? The last thing you want when you sit down to write your first draft is to lose momentum. Have you figured out the key traits of your characters so that you know how they will act (and react) in each scene? Have you thought through the climax of your narrative so that you can lay all the groundwork to get there? Have you researched the setting of your story so you can make it feel authentic?

Use this guide before you start writing to work out your narrative arc, plan out your key plot points, flesh out your characters, and begin to build your world. Then, when you begin your writing journey, you will have a map to follow along the way.

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Six Tried and Tested Methods for Writing a Novel

by Kathy Edens Sep 20, 2016

Six Tried and Tested Methods for Writing a Novel

In this post, Kathy Edens introduces us to six of the most popular novel-writing methods out there: 1) The Snowflake Method, 2) The 30-Day Method, 3) The 5-Step Method, 4) The Write From The Middle Method, 5) The 5-Draft Method, 6) The Novel Factory Methods. The best method is the one that speaks to you. It’s the one that you’ll commit to and use to start writing your novel. But more importantly, it’s the one that will help see you through to the end.

Only you can decide what’s the best method for you because every writer is different with different needs and motivations. Choose what works best for you. Or experiment with different methods to find the one that helps you be your most productive ever.

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Triumphing at NaNoWriMo: How to Be Your Most Productive

by Kathy Edens Sep 20, 2016

Triumphing at NaNoWriMo: How to Be Your Most Productive

Write first. Proofread in December.

It’s all about getting the words down on the page (or the computer screen). We published an article a couple of months ago about ilys, an online platform that only allows you to see the last letter you typed on the screen. You can’t go back and edit—you can only keep typing until you’ve hit your word goal for the day. While this platform may take the “just write, don’t edit” rule further than many writers are comfortable with, the idea remains the same whether you are writing in word, Scrivener or with a quill and ink. Just write.

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Four Writing Myths and Why They Suck the Ink out of Writers

by Eric Roberts Sep 20, 2016

Four Writing Myths and Why They Suck the Ink out of Writers

Writing myths have been around as long as we’ve been writing—“real writers don’t get writer’s block”, “the tools maketh the story”, “writing is solitary”, and on and on—and they’re so common we often simply accept them as truth. But just how much weight do they really carry?

These are four of the most common writing myths. From tools to time to mindset, you might be surprised to find there’s less truth to them than you thought.

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The 10 Most Common Fiction Writing Mistakes

by Danny Mancini Sep 20, 2016

The 10 Most Common Fiction Writing Mistakes

Danny Mancini is part of the team at Penguin Random House The Writers’ Academy. They excel at helping aspiring writers to hone their craft and sharpen up their writing technique. Whether you've been writing fiction for a long time or are completely new to the process, there are a number of common writing mistakes that all authors should be wary of.

So if you're struggling from a case of writer's block, or wondering what's blocking you on the path to publication, read on below to ensure that you're not making any of these fatal writing errors...

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What's the Difference Between Narrative and Exposition?

by ProWritingAid Sep 14, 2016

What's the Difference Between Narrative and Exposition?

Sometimes, narrative and exposition are used synonymously to explain parts of a novel that “narrate” information for the reader. They are, in fact, different devices used to give the reader information. Used appropriately, narrative and exposition affect the pacing of your story.

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Write What You Know? Think Bigger

by Kathy Edens Sep 07, 2016

Write What You Know? Think Bigger

When I decided I wanted to be a writer, the idea of “Write what you know” made me feel like a whole realm of literary possibility was off-limits to me. And yet, my own breadth of experience felt too small to contain a great story. I began to worry that my lack of experiences in life meant that I had nothing important to say. Seriously, who wants to read about my boring life?

I wish someone had explained that the concept of “Write what you know” is much bigger and more nuanced than that.

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What’s She Thinking? How to Use Inner Dialogue…

by ProWritingAid Aug 26, 2016

What’s She Thinking? How to Use Inner Dialogue…

Inner dialogue. Internal thought. Interior monologue. Internal speech. Whatever you call it, this internal thought process is as important as regular dialogue, character arc, and narrative arc in helping your reader understand your main character at an intimate level. It also serves to move your story forward and keep your readers deeply connected.

Unlike the one- or two-dimensional characters you see in movies and on television, when using inner dialogue in your narrative, it helps you present a much more nuanced and three-dimensional character. And since most stories are character driven, you really need to add that inner dialogue in.

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How Not to Write a Novel

by Kathy Edens Aug 17, 2016

How Not to Write a Novel

Here at ProWritingAid we spend a lot of time looking at the things you should be doing to get your novel done. But what about the things you SHOULDN'T be doing?

In this essential post, Kathy Edens looks at five common things that will ensure that your novel never gets finished.

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How to Self-Publish Your Book: Advice from Iain Rob Wright

by Iain Rob Wright Aug 17, 2016

How to Self-Publish Your Book: Advice from Iain Rob Wright

Did you know that a large portion of ProWritingAid users are professional writers? Some are published authors, some run high-traffic blogs, others run successful content generation companies. We love it when they take the time to share what they have learned over the years. We hope that their insights and experience help you become the writer you want to be.

This month, we speak to self-published author, Iain Rob Wright. We connected with him after he created a ProWritingAid tutorial video earlier this year. Iain was one of the first to see the potential of the self-publishing movement and managed to ride the wave back in 2011. He is now a full-time writer with fourteen books under his belt.

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Create Compelling & Evocative Scenes

by Kathy Edens Jul 13, 2016

Create Compelling & Evocative Scenes

Scenes are the rising and falling action, and the soft moments in between, that move your story forward. They have a couple of basic purposes:

  • They establish time and place. They give the reader a marker on where and when things are happening.
  • They help develop character. Even if the scene is pure action, you learn about the character’s motivations by his or her decisions, choices, and actions.
  • They let characters set goals. Without goals to achieve, characters have no reason to act or emote. Readers want to know what’s at stake.
  • They allow the action to rise or fall. This movement is what carries your reader forward.
  • They let you crank up the conflict. Without conflict, you won’t have tension. And without tension, your story is boring.

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8 Ways to Make Your Story Boring

by Devlin Blake Jul 11, 2016

8 Ways to Make Your Story Boring

It’s the fear of every writer: writing a story your reader CAN put down. No writer wants to think their story is boring, but sometimes it is. Fortunately, there are only a few reasons stories are boring. Once you know what they are, you can make sure that your reader will keep reading.

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How to Create Striking Similes

by ProWritingAid Jun 20, 2016

How to Create Striking Similes

Similes can be found in all types of writing, from journalism to fiction to advertising. They’re creative ways to bring more attention and clarity to your meaning than straight narrative.

If you want to give your reader a thoughtful mental image while they’re reading, a simile is a great place to start. When you compare your main character to an animal or even an inanimate object like a giant sequoia, you’re exposing your reader to another way of looking at something that’s fresh and new.

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How to Create Fantastic Metaphors

by ProWritingAid May 25, 2016

How to Create Fantastic Metaphors

Aristotle said a metaphor was “the act of giving a thing a name that belongs to something else.” It allows you to pack a powerful punch in a few words. Your reader can take their full understanding of one thing, and apply it to another thing. By writing, “my cubicle is a prison,” your reader understands how you feel about your job. With just that one word that they know you feel trapped, unhappy, desolate.

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How to Use Subplots to Bring Your Whole Story Together

by Kathy Edens May 17, 2016

How to Use Subplots to Bring Your Whole Story Together

Just like real life, your characters will have more than one thing demanding their time and attention. Romances, family life, work concerns, health issues, friendships, etc. These additional plot lines are subplots that give your story depth and help keep it moving.

And as with your main plot, all subplots should follow a narrative arc of conflict, crisis, and resolution, usually wrapped up before the main plot’s climax.

Subplots can be what’s happening to secondary characters or an internal conflict your main character is facing in addition to the main conflict of your story. The key to an effective subplot is how you work it into the main plot.

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