The Chicago Manual of Style, putting dialogue in the middle of paragraphs depends on the context. As in the above example, if the dialogue is a natural continuation of the sentences that come before, it can be included in your paragraph. The major caveat is if someone new speaks after that, you start a new paragraph and indent it.
On the other hand, if the dialogue you’re writing departs from the sentences that come before it, you should start a new paragraph and indent the dialogue.Read More »
Firstly, a clause is a group of words that contain both a subject and a verb like: She ran to answer the phone.
A subordinate clause depends on a main clause to form a complete sentence or thought like: ...because she could hear ringing in the other roomRead More »
Dialogue is a fantastic way to bring your readers into the midst of the action. They can picture the main character talking to someone in their mind’s eye, and it gives them a glimpse into how your character interacts with others.
That said, dialogue is hard to punctuate, especially since there are different rules for different punctuation marks—because nothing in English grammar is ever easy, right? We’re going to try to make this as easy as possible.Read More »
What is the Oxford comma? And why is there so much debate around whether it should be used? ProWritingAid advocates a nuanced approach to the Oxford comma depending on the clarity of the sentence.Read More »
Passive voice occurs when you take the object of your sentence—the part that the action happens to—and make it the subject of your sentence.
Here are some examples:
Passive: The flag was raised by the troops.
Active: The troops raised the flag.
One thing that ProWritingAid is great at pointing out is the variety of sentence lengths you use in your writing. You know that varying the lengths creates a more lyrical bend to your writing. You don’t want all short sentences. Nor do you want all long sentences that complicate your reader’s understanding.
Simple, compound, and complex sentences are all ways of varying the length. Let’s see how they work.Read More »
Most forms of English instruction emphasise rules and memorisation; however, I recommend a more instinctual method of mastery. Rather than mapping out sentences or memorising confusing and often inconsistent rules, you can improve your communication skills by simply tapping into the logic of rhythm and structure.
Let’s take a look at five ways you can start tuning your ear:Read More »
When you paint a picture with your character’s actions instead of using an “ly” adverb to try to set the mood, you give your reader a much deeper understanding and pull him or her closer into the drama.
It all comes down to “He said, She said” eventually. Professional editors and authors agree that you want your dialogue tags to be invisible to the reader so that it doesn’t slow him or her down or bring notice to the writing itself.Read More »
Sometimes verbs get confusing, so here’s a little trick to help you figure out participles:
Participles, both past and present, are verb forms that can be used as an adjective or a noun.
Take a common verb like jump. It can be used as a noun as in:
- Jumping over the hedgerows is exhausting.
Infinitives are verbs preceded by the word “to” that function as nouns, adjectives, or adverbs in a sentence. An infinitive does not function as a verb. This means you can never add s, es, ed, or ing to the end.Read More »
A clause is a group of words containing both a subject and a verb. Examples of clauses are:
The bells are ringing
She ran away
Each sound that you hear in a word is a Phoneme. It’s the smallest unit of sound that makes up a complete word. This is not to be confused with the letter itself; Phonemes are only the sounds made.
There are 44 Phonemes in the English language, consisting of 24 consonant sounds and 20 vowel sounds. Think of the different combinations of consonants and vowels (like “ch” or “ea”) that make unique sounds.Read More »
Your sentences would lie dead in the water without a verb. Verbs are the most important part of your sentence. But how do you select the right verb to get across your meaning? By understanding the different types of verbs and how they’re used.What is a verb?Read More »
A cliché is a tired, stale phrase or idiom that, because of overuse, has lost its impact. What was once a fresh way of looking at something has become a weak prop for writing that feels unimaginative and dull. Clichés are what you write when you don’t have the energy or inspiration to think of a new way to express an idea.
George Orwell in his Rules of Writing said: “Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.” Be creative and come up with something fresh. A new analogy or metaphor will make much more of an impression on your readers than a dusty old cliché.Read More »
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