Articles about how to write a novel
Want to be a writer? Wondering where some of the bestselling American authors got their educations?
Check it out!Read More »
You may have noticed that we at ProWritingAid have a fondness for technology that makes writers better, stronger, more organized, and highly productive. If you like creating a storyboard for your novels, or if you want an innovative app to capture all of your to-do’s for your client work, let us introduce Trello.
For those of us who use sticky notes, index cards, and other forms of reminders to help you organize everything you need for a writing project, Trello is the easiest, most intuitive way to organize your work.Read More »
Pacing is a lot like the throttle on a vehicle. There are times when driving that you need to move slowly, like through a city or in a school zone. Then there are times when you need to move a lot faster, like on the freeway. And there are times when you need to just coast along at a moderate speed.
The pacing in your novel is a writer’s tool to help you manage the speed and rhythm of your story. Sometimes you want fast action, just as other times, you need to slow things down and let the scene unfold.
It’s up to you to know when to use pacing. A lot of your pacing decisions will be based on your genre. If you’re writing an action story, it’s pretty fast-paced with exhilarating moments of danger mixed with adventure juxtaposed with quieter moments when your characters do some heavy thinking. If you’re writing an epic that spans over generations, it might move more slowly.Read More »
Being a writer does not mean sitting and waiting for the inspiration. It's a life of hard work and perseverance, and each writer must find a way to keep their own inner flame burning.
Check out these 7 approaches from 7 authors, each of whom found their own methods that allowed them to keep producing amazing work.Read More »
Many writing experts advise that you consider the current market as you write. If a reader buys one kind of book and likes it, they will look for more of the same. This notion is why you’ll see clone books pop up whenever there’s a breakout novel that runs up the bestseller list. Those writers follow the market.Read More »
One of the biggest problems that creative people face is how to take their imagined ideas and communicate them clearly and effectively in writing. I dread to think how many incredible adventures, concepts, and viewpoints are locked up in the brains of people who struggle with the technical elements of writing. The part of the brain that we use for imaginative thinking is quite different from the part that actually crafts the sentences. And the quickest way to lose a reader’s confidence—even if your ideas are water-tight—is to present them with clumsy, awkward, error-filled writing.Read More »
Chefs around the world don’t merely copy the recipes of other great chefs. Instead, they dissect the completed dish, looking for ways to improve it and make it their own. In the same sense, writers shouldn’t copy the masters. We’re not saying don’t learn from the masters, but rather dissect their work and see what makes it great.Read More »
If you’ve taken writing courses at the university level, more often than not, your instructors have fervently cried: Never, ever, ever, ever start a story with a dream sequence. And if you Google “dreams in novels,” you will find a huge range of opinions on the matter. For every post scorning the use of dreams, there is one saying that when done well, dream sequences can move your plot forward.
But are there times when dreams are ok to use? Some authors have used them incredibly effectively in the past. .Read More »
If you haven’t read The Martian, it’s 369 pages of full-on tension. Mark Watney, the main character, faces one set-back after another as he’s fighting for his life on Mars. The stakes are pretty high; if he doesn’t get off Mars soon, he’ll die.
Weir is a master at creating tension. Just when things are finally going right for Watney, Weir pulls the rug out from under his feet. We watch as Watney perseveres through untenable disasters that would crush the rest of us. Weir keeps readers asking throughout the story, “How’s he going to get out of this one?”Read More »
Foreshadowing allows you to plant clues, hint at what’s to come, build the tension, or even place a red herring in your reader’s path.
You can use foreshadowing in a variety of ways. The resulting action can be immediate or delayed. You can use dialogue or narrative to set the scene, and you can foreshadow a symbolic event or an ethical dilemma. You can use direct or indirect foreshadowing, and it can even be true or false.
Foreshadowing can feed the tension of a scene. Who doesn’t know the famous shower scene in the movie Psycho? Right before the character Marion Crane pulls up to the Bates Motel, her windshield wipers are slashing through the rain, foreshadowing what awaits her in the shower scene.Read More »
A flashback is a scene you use in your current narrative to show something that happened in the past. The two key differentiators are: 1) it must be a scene (as opposed to narration about an event), and 2) it’s past news.
Flashbacks are great for building three-dimensional characters because readers gains insight on how a character’s thoughts, feelings, and morals were formed by important events. They’re also useful for dropping hints about what happened to lead your main character to the current point in time. They help your readers understand and care deeply about your characters and what happens to them.Read More »
The newest version of ProWritingAid comes with some shiny new features to check out including a Word Explorer, summary reports, easier navigation, contextual thesaurus, detailed explanations and more. Take it for a spin now.Read More »
Pacing your story is like using the throttle to give an engine more gas. With more throttle, the engine revs up and speed increases. Less throttle slows you down so you can see the passing scenery.
Controlling the pacing of your story is like maneuvering through city streets, main thoroughfares, and high-speed highways. You need different speeds to maintain control of your vehicle in each situation.Read More »
The term “literary device” refers to some common techniques that writers use to add meaning to their writing and get their message across more poignantly. When mastered, literary devices can help your reader interpret your scenes and understand your ideas with greater depth.
There are hundreds of literary devices to choose from, but let’s talk about some of the ones that will add layers to your writing.Read More »
We love technology at ProWritingAid and how it helps writers improve. Over the past few months, we’ve been checking out some of the best writing technology out there. We've already reviewed Scrivener, The Novel Factory, Ulysses, and ILYS, this month we look at a new app called Rough Draft.Read More »
Very occasionally some exceptional writers can get away with shifting Point of View (POV) between two characters within the same sentence. Most of us, however, should avoid this kind of head-hopping.
Where Faulkner and Joyce are masters at POV shifting (and they make it seem so effortless), here are a few rules the rest of us should follow when shifting between characters.Read More »
If this is your first time doing NaNoWriMo, don’t stress out too much about it. It’s a huge learning process where you’ll discover what’s most important for you to be able to produce content on a continual basis to move forward towards your end goal of 50,000 words in 30 days.
The biggest lesson I’ve learned over the years is that it’s not so much about the end result. What you have at the end of 30 days will in no shape or form be a novel ready to print. Depending on your genre, novels can be 80,000 words and up. Just understand: you won’t be finished with it on November 30th.Read More »
Inner dialogue is an excellent way to give your readers a peek inside the heart and mind of your characters. Readers can’t get this depth of character strictly from the actions you include in your story. You should give them inner thoughts to create 3-D characters with which your readers will fall in love.
The bad news is that there is no hard and fast rule about formatting inner dialogue. Depending on which author, editor, or publisher you talk to, there are as many ways to handle inner dialogue as there are people writing it.Read More »
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