Articles by Kathy Edens
Kathy Edens is a blogger, a ghost writer, and content master who loves writing about anything and everything. Check out her book The Novel-Writing Training Plan: 17 Steps to Get Your Ideas in Shape for the Marathon of Writing or contact her at www.kathy-edens.com.
If you haven’t read The Martian, it’s 369 pages of full-on tension. Mark Watney, the main character, faces one set-back after another as he’s fighting for his life on Mars. The stakes are pretty high; if he doesn’t get off Mars soon, he’ll die.
Weir is a master at creating tension. Just when things are finally going right for Watney, Weir pulls the rug out from under his feet. We watch as Watney perseveres through untenable disasters that would crush the rest of us. Weir keeps readers asking throughout the story, “How’s he going to get out of this one?”Read More »
It’s time to burst your bubble. Sorry! The typical paperback novel is between 80,000 and 100,000 words long. Yes, you completed 50,000 words, and that’s an amazing achievement in 30 days. But 50,000 words does not a novel make.
The beauty of NaNoWriMo is that it releases you from worrying about what you’re writing, trying to make it perfect, and instead you just focus on getting words down on the page. And that is a serious accomplishment: 50,000 words in 30 days. NaNoWriMo hopefully taught you that when you’re not seeking perfection, you can get an amazing amount of words out instead of staring at a blank page.
So, sorry to be the bearer of bad news, but you’ve likely got more work ahead on that novel of yours. Here's what you need to know...Read More »
We have just released the new (and much improved) ProWritingAid editing tool and we wanted to tell you a bit more about one new feature that we are particularly excited about.
What is it? A Summary Report is an all-in-one look at the statistics in your writing. Not just the basics like word count, sentences, and paragraphs, but it also points out the key actions you need to take to strengthen your writing.Read More »
Foreshadowing allows you to plant clues, hint at what’s to come, build the tension, or even place a red herring in your reader’s path.
You can use foreshadowing in a variety of ways. The resulting action can be immediate or delayed. You can use dialogue or narrative to set the scene, and you can foreshadow a symbolic event or an ethical dilemma. You can use direct or indirect foreshadowing, and it can even be true or false.
Foreshadowing can feed the tension of a scene. Who doesn’t know the famous shower scene in the movie Psycho? Right before the character Marion Crane pulls up to the Bates Motel, her windshield wipers are slashing through the rain, foreshadowing what awaits her in the shower scene.Read More »
The good news for copywriters is that content is still king. The bad news is that only the really good stuff will sell.
In the past, the low barrier to entry for copywriters created a glut of writers hanging out their shingles. Companies are now beginning to realize, however, that all content is not created equal. Their audience is tired of the hype and the fluff. Readers expect value in exchange for their time spent reading your content. If they don’t find value, they’ll turn elsewhere.
We’ve pulled together a few predictions on trends that will rule content in 2017. Like most predictions, take what you need and discard the rest.Read More »
The term “literary device” refers to some common techniques that writers use to add meaning to their writing and get their message across more poignantly. When mastered, literary devices can help your reader interpret your scenes and understand your ideas with greater depth.
There are hundreds of literary devices to choose from, but let’s talk about some of the ones that will add layers to your writing.Read More »
We love technology at ProWritingAid and how it helps writers improve. Over the past few months, we’ve been checking out some of the best writing technology out there. We've already reviewed Scrivener, The Novel Factory, Ulysses, and ILYS, this month we look at a new app called Rough Draft.Read More »
Very occasionally some exceptional writers can get away with shifting Point of View (POV) between two characters within the same sentence. Most of us, however, should avoid this kind of head-hopping.
Where Faulkner and Joyce are masters at POV shifting (and they make it seem so effortless), here are a few rules the rest of us should follow when shifting between characters.Read More »
If this is your first time doing NaNoWriMo, don’t stress out too much about it. It’s a huge learning process where you’ll discover what’s most important for you to be able to produce content on a continual basis to move forward towards your end goal of 50,000 words in 30 days.
The biggest lesson I’ve learned over the years is that it’s not so much about the end result. What you have at the end of 30 days will in no shape or form be a novel ready to print. Depending on your genre, novels can be 80,000 words and up. Just understand: you won’t be finished with it on November 30th.Read More »
In this post, Kathy Edens introduces us to six of the most popular novel-writing methods out there: 1) The Snowflake Method, 2) The 30-Day Method, 3) The 5-Step Method, 4) The Write From The Middle Method, 5) The 5-Draft Method, 6) The Novel Factory Methods. The best method is the one that speaks to you. It’s the one that you’ll commit to and use to start writing your novel. But more importantly, it’s the one that will help see you through to the end.
Only you can decide what’s the best method for you because every writer is different with different needs and motivations. Choose what works best for you. Or experiment with different methods to find the one that helps you be your most productive ever.Read More »
Write first. Proofread in December.
It’s all about getting the words down on the page (or the computer screen). We published an article a couple of months ago about ilys, an online platform that only allows you to see the last letter you typed on the screen. You can’t go back and edit—you can only keep typing until you’ve hit your word goal for the day. While this platform may take the “just write, don’t edit” rule further than many writers are comfortable with, the idea remains the same whether you are writing in word, Scrivener or with a quill and ink. Just write.Read More »
When I decided I wanted to be a writer, the idea of “Write what you know” made me feel like a whole realm of literary possibility was off-limits to me. And yet, my own breadth of experience felt too small to contain a great story. I began to worry that my lack of experiences in life meant that I had nothing important to say. Seriously, who wants to read about my boring life?
I wish someone had explained that the concept of “Write what you know” is much bigger and more nuanced than that.Read More »
Here at ProWritingAid we spend a lot of time looking at the things you should be doing to get your novel done. But what about the things you SHOULDN'T be doing?
In this essential post, Kathy Edens looks at five common things that will ensure that your novel never gets finished.Read More »
This month we look at The Novel Factory, a writing app that will appeal to all the planners out there.
The app walks you through 16 highly-detailed steps that include: defining your basic premise; setting out your plot points; fleshing out your characters; building your world; generating scenes; weaving your plot details together; and so much more. It even takes you through the submission process. What makes this program so incredibly useful is that you learn about the process of writing a novel as you go.Read More »
I’d heard about ilys, this amazing online program that lets you only see one letter at a time of the words you’re typing. You can’t see what you’ve already said, which helps you focus instead on what you’re going to say.
This puts you in the flow. It lets your creativity jump ahead of your internal editor and crank out the words without worrying about typos and spelling errors.
All you see as you write is the last letter you typed...Read More »
Scenes are the rising and falling action, and the soft moments in between, that move your story forward. They have a couple of basic purposes:
- They establish time and place. They give the reader a marker on where and when things are happening.
- They help develop character. Even if the scene is pure action, you learn about the character’s motivations by his or her decisions, choices, and actions.
- They let characters set goals. Without goals to achieve, characters have no reason to act or emote. Readers want to know what’s at stake.
- They allow the action to rise or fall. This movement is what carries your reader forward.
- They let you crank up the conflict. Without conflict, you won’t have tension. And without tension, your story is boring.
As a writer, I’d heard about Scrivener from many of my peers, but for whatever reason (pure obstinance, probably), I stuck with my old word processing program. It wasn’t until about a year ago that I finally acquiesced and purchased Scrivener. I haven’t looked back!
If you’ve ever set up a binder to try to organize the various plans and ideas for your novel—or even just articles—you probably had sections to hold your character sketches, setting ideas, plot outline, and research. You may have had separate sections to contain each of your scenes and chapters. You might even have had a section that contained nothing but pictures clipped from magazines that sparked your imagination.Read More »
Just like real life, your characters will have more than one thing demanding their time and attention. Romances, family life, work concerns, health issues, friendships, etc. These additional plot lines are subplots that give your story depth and help keep it moving.
And as with your main plot, all subplots should follow a narrative arc of conflict, crisis, and resolution, usually wrapped up before the main plot’s climax.
Subplots can be what’s happening to secondary characters or an internal conflict your main character is facing in addition to the main conflict of your story. The key to an effective subplot is how you work it into the main plot.Read More »
We know that ProWritingAid users like a bit of writing technology, so this month we begin a new series that looks at some of the best writing platforms out there. With so many options, and more being developed every day, how do you know which one is right for you. We sent one of our favourite freelancers, Kathy Edens, out to give them all a test run and report back.
This month, she looks at Ulysses. Scrivener, ILYS and The Novel Factory will also be reviewed over the next couple months.Read More »
The Enneagram details 9 internal levels of developmentwhere your main character can find him or herself at any point in time. A person’s personality isn’t static, meaning that it fluctuates depending on whether they are under duress or some good fortune happens. Each of these 9 levels of development represents a major paradigm shift in awareness, meaning your main character changes—for better or worse.
Have a look at the different levels and see if you can place your main character(s) at the beginning of your story and where you want them to be at the end.Read More »
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